“THE
EXECUTION PROTOCOL” (1992)
A 60- and 90-minute feature documentary
on capital punishment procedures in Missouri. Missouri was the first
state to carry out an execution by machine-controlled lethal injection.
The film follows the inventor of the machine, the Missouri execution
team and inmates awaiting execution. Unprecedented access gives a unique,
behind-the-scenes look at how capital punishment is administered in
the United States.
Produced in association with THE DISCOVERY
CHANNEL (USA), BBC2 (UK), SEVEN NETWORK (AUSTRALIA), YLE-TV2 (FINLAND),
FRANCE2, NDR INTERNATIONAL-NDR (GERMANY), ORF (AUSTRIA), RAI3 (ITALY),
SVT2 (SWEDEN), VPRO (HOLLAND), TV2 (DENMARK), DRS & RTSI (SWITZERLAND)
and licensed to BRTN (BELGIUM), SABC (SOUTH AFRICA), TVE (SPAIN), SFINX/NIPPON
(JAPAN), SOUTHLIGHT (TAIWAN) and others.
·
The film was
released theatrically in the USA, and is distributed by WORLDVIEW PICTURES.
·
Non-theatrical
distribution in the USA by FILMAKERS LIBRARY INC.
·
Stephen Trombley's
book of the film is published in the USA by CROWN BOOKS and in the UK
by RANDOM CENTURY. It has also been translated into German, Dutch, Danish
and Czech.
Awards & festivals
·
Adolf Grimme
Prize, Germany, Best Documentary, 1994
·
Chicago International
Film Festival 1992, Silver Hugo Award
·
Festival International
du Film Documentaire, Nyon, 1992, Sesterce d'Argent
·
British Film
Institute Awards 1992, nominated, Grierson Award for best documentary
·
CableACE Awards
1992, nominated in two categories: Best Documentary, and Editing
·
London Film Festival,
1992
·
Durban International
Film Festival, 1993
Reviews
The Execution Protocol
is not easy to sit through, but it touches nerves that force a rethinking
of essential values. It is exceptionally well done.
vincent canby,
new york times
Stephen
Trombley confronts a question few bother to ask, and fewer still really
want the answer to. Better yet, he does it with elegance and a cool
head. In this unsettling and utterly gripping film, it’s just the facts,
ma’am.
frazier moore,
associated press
The Execution Protocol,
an extraordinary new film directed by Stephen Trombley, peels back the
layers that normally insulate us from the final reality of capital punishment....Perhaps
the most remarkable achievement of Sunday night’s film is the absence
of tilt or bias either in favor of or against capital punishment.
erik mink, st louis
post-dispatch
Reality outstrips nightmare in this rending
document of inhumanity.
rolling stone
There was no special pleading - either pro
or con - in this remarkable documentary. Trombley sustained the disinterested
tone throughout.
the guardian (uk)
An effective, austere horror film by Stephen
Trombley.
the sunday times
(uk)
Trombley’s cool tone, sharp images and use
of a superb modern jazz score make for powerful viewing.
time out (uk)
unfolds like a black-and-white, etching-precise
explication of how lethal injection executions are carried out....Makes
“Dead Man Walking” sound candy-coated.
boston globe (us)
(Trombley’s) best and most influential.
boston phoenix
(us)
The strength of the documentary lies in
its simplicity - straightforward, matter-of-fact talk from the people
who deal death....The Execution
Protocol is well-made and informational, and at some points chilling
in its matter-of-fact way of taking the viewer somewhere no one should
ever want to go.
the seattle times
In frank and often moving conversation,
the 90-minute documentary gives us a closeup of capital punishment in
America....It takes as detailed - and chilling - a look at capital punishment
as I’ve ever seen.
chicago tribune
Ninety minutes of celluloid which seem like
a century, as six hours must seem like an eternity to the condemned
man. Ninety appalling, brilliant minutes, which intentionally never
question the legitimacy, the morality or the usefulness of the operation.
le monde (france)
Stephen Trombley’s documentary...is more
engrossing than many a fictional thriller.
the daily telegraph
(uk)
It is not the morality but the reality of
the situation that Trombley presents. An anti-sensationalist but utterly
shocking film.
the times (uk)